Category Archives: Women

Will Nicki Minaj’s 7 Year Winning Streak Break at this Year’s BET Awards?

In the past, the BET Awards have had predictable winners in the Best Female R&B/Pop Artist, Best Male R&B/Pop Artist, and Best Female Hip Hop Artist categories. This year’s nominations include some tough competition for past champions Nicki Minaj, Beyoncé, and Drake. Beyoncé is nominated for 7 awards including Best Female R&B/Pop Artist, Best Video, and Best Album. She’ll be competing against sister Solange who garnered 4 nominations for her unique and potent album, A Seat at the Table with accompany visuals to Cranes in the Sky. This year brings some stiff competition in the Male R&B/Pop category with both the Weeknd and Bruno Mars’ stellar year of chart topping singles. With a combination of viral memes and shout-outs, Rae Sremmurd’s, Black Beetles and Migos, Bad and Bougie are tough choices in the Best Collaboration category. The Best Male Hip Hop category has always included the biggest and best mainstream male rappers like J.Cole, Kendrick Lamar, and Drake so it should be up in the air on who takes the award.

The most interesting category will be the Best Female Hip Hop Artist winner. Nicki Minaj has been the reigning champ for the past 7 years with last year being the first time she was not present at the awards. At one point, I felt the category should have been replaced with Best Hip Hop Artist and just include female and male rappers until a bigger pool of female M.C.s charted. This year, Minaj will be up against some talented rappers for the first time in years including Remy Ma, who most deemed the winner in their very public beef, newcomer Young M.A., legendary M.C. Missy Elliott and popular reality star, Cardi B. I’m thinking it’s between Minaj, Remy and Young M.A. Both Remy and Young M.A. had at least a couple of hits last year over Minaj but Nicki dropped at least 3 singles in March of 2017. Missy’s awaited comeback was a little underwhelming while Cardi B gained some surprising support for her music compared to other members of the Love & Hip Hop cast. With Remy Ma and Fat Joe’s hit, All the Way Up mixed in with her diss record, shETHER, I think Remy will finally break Nicki’s winning streak this year.

Below are the rest of the nominees including the Film, International and the Gospel/Inspirational categories. The awards will take place on 25 June at the Microsoft Theatre in Los Angeles.

Best Female R&B/Pop Artist
BEYONCÉ
KEHLANI
MARY J. BLIGE
RIHANNA
SOLANGE

Best Male R&B/Pop Artist
BRUNO MARS
CHRIS BROWN
THE WEEKND
TREY SONGZ
USHER

Best Group
2 CHAINZ & LIL WAYNE
A TRIBE CALLED QUEST
FAT JOE & REMY MA
MIGOS
RAE SREMMURD

Best Collaboration
BEYONCÉ FT. KENDRICK LAMAR – FREEDOM
CHANCE THE RAPPER FT. 2 CHAINZ & LIL WAYNE – NO PROBLEM
CHRIS BROWN FT. GUCCI MANE & USHER – PARTY
DJ KHALED FT. BEYONCÉ & JAY Z – SHINING
MIGOS FT. LIL UZI VERT – BAD AND BOUJEE
RAE SREMMURD FT. GUCCI MANE – BLACK BEATLES

Best Male Hip-Hop Artist
BIG SEAN
CHANCE THE RAPPER
DRAKE
FUTURE
J. COLE
KENDRICK LAMAR

Best Female Hip-Hop Artist
CARDI B
MISSY ELLIOTT
NICKI MINAJ
REMY MA
YOUNG M.A.

Video of the Year
BEYONCÉ – SORRY
BIG SEAN – BOUNCE BACK
BRUNO MARS – 24K MAGIC
MIGOS FT. LIL UZI VERT – BAD AND BOUJEE
SOLANGE – CRANES IN THE SKY

Video Director of the Year
BENNY BOOM – KEHLANI “CRZY”
BRUNO MARS & JONATHAN LIA – BRUNO MARS “THAT’S WHAT I LIKE”
DIRECTOR X – ZAYN MALIK “LIKE I WOULD”
HYPE WILLIAMS – TYGA “GUCCI SNAKES FT. DESIIGNER”
KAHLIL JOSEPH & BEYONCÉ KNOWLES-CARTER – BEYONCÉ “SORRY”

Best New Artist
21 SAVAGE
CARDI B
CHANCE THE RAPPER
KHALID
YOUNG M.A.

Album of the Year
24K MAGIC – BRUNO MARS
4 YOUR EYEZ ONLY – J. COLE
A SEAT AT THE TABLE – SOLANGE
COLORING BOOK – CHANCE THE RAPPER
LEMONADE – BEYONCÉ

Dr. Bobby Jones Best Gospel/Inspirational Award
CECE WINANS – NEVER HAVE TO BE ALONE
FANTASIA FT. TYE TRIBBETT – I MADE IT
KIRK FRANKLIN FT. SARAH REEVES, TASHA COBBS & TAMELA MANN – MY WORLD NEEDS YOU
LECRAE – CAN’T STOP ME NOW (DESTINATION)
TAMELA MANN – GOD PROVIDES

Best Actress
GABRIELLE UNION
ISSA RAE
JANELLE MONÁE
TARAJI P. HENSON
VIOLA DAVIS

Best Actor
BRYSHERE Y. GRAY
DENZEL WASHINGTON
DONALD GLOVER
MAHERSHALA ALI
OMARI HARDWICK

YoungStars Award
ACE HUNTER
CALEB MCLAUGHLIN
JADEN SMITH
MARSAI MARTIN
YARA SHAHIDI

Best Movie
FENCES
GET OUT
HIDDEN FIGURES
MOONLIGHT
THE BIRTH OF A NATION

Sportswoman of the Year Award
GABBY DOUGLAS
SERENA WILLIAMS
SIMONE BILES
SKYLAR DIGGINS
VENUS WILLIAMS

Sportsman of the Year Award
CAM NEWTON
LEBRON JAMES
ODELL BECKHAM JR.
RUSSELL WESTBROOK
STEPHEN CURRY

Centric Award
FANTASIA – SLEEPING WITH THE ONE I LOVE
KEHLANI – DISTRACTION
MARY J. BLIGE – THICK OF IT
SOLANGE – CRANES IN THE SKY
SYD – ALL ABOUT ME
YUNA – CRUSH FT. USHER

Coca-Cola Viewers’ Choice Award
BEYONCÉ – SORRY
BRUNO MARS – 24K MAGIC
DRAKE – FAKE LOVE
MIGOS FT. LIL UZI VERT – BAD AND BOUJEE
RAE SREMMURD FT. GUCCI MANE – BLACK BEATLES
THE WEEKND FT. DAFT PUNK – STARBOY

Best International Act: Europe
BOOBA (France)
MHD (France)
CRAIG DAVID (UK)
EMELI SANDÉ (UK)
GIGGS (UK)
SKEPTA (UK)
STORMZY (UK)
WILEY (UK)

Best International Act: Africa
AKA (South Africa)
BABES WODUMO (South Africa)
DAVIDO (Nigeria)
NASTY C (South Africa)
STONEBWOY (Ghana)
TEKNO (Nigeria)
WIZKID (Nigeria)
MR EAZI (Nigeria)

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Black Lives Matter organizers set to post Mother’s Day bail for black mothers across the nation

This week dozens of black mothers who are currently awaiting trial and cannot pay their bonds will be released just in time to celebrate Mother’s Day. The movement entitled, Mama’s Bail Out Day, was organized by many groups including Black Lives Matter Atlanta, Healing Hearts of Families, Southerners on New Ground, Color of Change, and local churches and businesses. Joining forces, the groups raised $250,000 to pay bail for black mothers in 16 cities. These women have not been convicted of any crimes and have been jailed for low level offenses like loitering and small drug possession. 62% of people in jail are there because they cannot afford bail. The system has negatively affected women of color and poor women across the nation with black women making up 44 percent of women in jails.

Arissa Hall, an organizer for the event and project manager at the Brooklyn Community Bail Fund, told The Nation that Mother’s Day, with its idealized notions of family and womanhood, is the right moment to force an examination of women in jails.

“All mothers are not celebrated, this is especially true of women who struggle with poverty, addiction and mental-health issues—in other words, the women who fill our jails.”

“Black moms especially have not been granted that title of motherhood,” Hall added going on to describe how slavery shredded kinship bonds. Black women, have historically taken on caretaker roles that have put them in charge of other people’s children and away from their own.

Mary Hooks, co-director of the Atlanta-based LGBTQ organizing project SONG, was one of the first people to brainstorm an idea with other activists on how to combat against the money bail and jail-related fine issues specifically for the LGBTQ community. The activist and organizers understood the ways race, class, and gender identity all play a role in criminalization so they decided to expand on who qualifies as a mother. “When we talk about black mamas, we know that mothering happens in a variety of ways,” Hooks said. “Whether it’s the mothers in the clubs who teach the young kids how to vogue, or the church mothers who took care of me.” Women who are birth mothers and chosen mothers are eligible to be bailed out.

The organizers are still raising money so they can release more women and are planning on possibly having a similar bail out for black fathers for Father’s Day.

To support the Mama’s Bail Out Day movements visit:

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Dear White People Review: Episode 1

Film Synopsis

Dear White People was first released in 2014 as a film directed by Justin Simien. The story followed four black students as they attended a predominately white institute named Winchester University. Each character represented a different perspective on what it meant to be black in a majority white space and each handled racism differently in a post-Obama country. The protagonist, Sam White, was a bi-racial, pro-black, film major with a provocative campus radio show entitled, Dear White People. The films main plot was Sam’s pursuit to become president of the black student occupied dorm, Armstrong Parker, and her fight against the integration of the dorm. Troy was the son of the Dean and the golden boy of the campus. Coco, short for Colandrea, was a bougie student from the Southside of Chicago who aspired to be the next reality TV star and Lionel was the gay, nerdy, black journalist who was too black for the white students and too white for the black students. Between Sam’s task to save the dorm house and Lionel being caught in the middle of the drama, a blackface party ensues and shit hits the fan on the campus. It is revealed that the party invite was not sent out from the racist magazine group, Pastiche, but in actuality was set up by Sam.

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The Netflix series returns where the party left off. Sam, Lionel and some of their friends crash the party, while Troy arrives with the cops, and Coco shamely defends the students for being able to be black for one night.

Chapter 1

The episode opens with the blackface party and the crash that follows. The camera pans around the chaotic scene to land on our protagonist, Sam and her handy dandy vintage camera. Sam is a junior studying film and the host of the controversial radio show, Dear White People. Many students listen to the show including the group behind the racist satirical campus magazine, Pastiche. In response to the party, Sam opens up with what the student body is allowed to wear to a Halloween party and what not to wear which is simply, “me” as in black face. This was the scene that was used in the date announcement trailer along with photos of white students dressed in black face and stereotypical “black” attire. This simple request in a fictional series enraged people so much that the YouTube video currently has 57,361 up votes and 420,728 down votes! Unsurprising comments of, “What if there were a, Dear Black People?”, and “I’m unsubscribing from Netflix”, fill the page which is odd because I thought most of these sensitive white people unsubscribed when Luke Cage was released. There is more outrage from the title of the series and not the fact that college students AND adults are still doing black face every year, crazy right?

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Sam’s best friend Joelle is introduced. She is played by the lovely Ashley Blaine Featherson who I was introduced to on the web-series, Hello Cupid. In the film, she was more of a side character but in the series she gets a deserving boost; I guess. It would be nice to see more of her story in season 2. Joelle comes off as the contradicting comic relief. She’s “woke” but watching, “some white bitch from Texas”, on how to be waist thin and ass phat. Sam reassures her that she is fine and states “is white bitch her name?” She also describes the guilt of re-watching the Cosby Show sitcom following the accusations which Sam deems a conspiracy because “Cosby was in route to purchasing NBC”. Right. It’s clear they have a fun relationship even though their focus does not always align.

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Then we see Reggie (heart eye emoji). I liked his character from the movie. He was serious in his fight against racism but let Sam lead the efforts which can be seen as admirable or a tad bit immature. Soon after, Sam is seen having sex with who we assume is Reggie but it is actually Sam’s secret white bae, Gabe.  Gabe is a T.A. in one of Sam’s classes; he’s is a little more scraggly/hippie looking compared to the clean cut Gabe from the film. He doesn’t seem as much of a condescending asshole as the films character instead he comes off as a carefree kind of guy. After their session, Sam gets ready to leave for a Black Caucus meeting. Gabe wants to come with but we know how this goes; Sam cannot be seen with Gabe or it will diminish her pro-black persona.

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When Sam arrives to Armstrong Parker for the meeting she is greeted by Lionel Higgins, a writer for the student newspaper, Winchester Independent. She begins to describe the four different black student unions at Winchester University. This is similar to the scene in the film where Sam describes the different type of black students at the university, the oofta, nose job, and “keeping it 100”, black student. Out of the four groups, there’s Sam’s group, the Black Student Union; they’re a good medium between aggressive action and organization. The African American Student Union (AASU) who is said to not contribute anything and consists of Kelsea, a super bubbly and naïve student, and Cordell, the resident pastor. There’s the Black American Forum (BAF) consisting of mediocre slam poets who throw great parties; picture dashikis, ankh necklaces, and fist in the air; hashtag stay woke! The last group lead by Troy Fairbanks (who interrupts Sam’s introduction) is the Coalition of Racial Equality (CORE). Think future black leaders of America. This group also includes Coco which is short for Colandrea. Coco was her way of sounding less “urban” than Colandrea. I wonder what her middle name is.

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As they are discussing the blackface party and how to take action, Coco’s phone chimes. A sinister look appears across her face as she begins to tag others in the post. While Sam is talking about the incident, everyone starts to look at their phones in shock. Sam stops and looks at her phone to see a photo of her sitting on Gabe’s bed, clothed with the caption, “hate it when bae leaves”. Scandalous! My mouth dropped. This was so disrespectful and violating. After the meeting, Sam finds her friends and Coco chatting about the photo. She and Joelle have a discussion about her secret bae. Joelle is frustrated that her best friend didn’t tell her and that he is white. She reminds her of how they met in the comment section of her article entitled, “Don’t fall in love with your oppressor”. Through all of this, Joelle gives Sam a reassuring hug of forgiveness and acceptance.

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Joelle’s honesty about her feelings with Gabe’s race was realistic. Everyday black women who are in interracial relationships get side-eyes but black women who are super pro-black get the ultimate side eye (and so do men). It doesn’t make one unauthentic when they date interracially but it can be a tad disappointing especially when there’s men like Reggie who are ready to give someone like Sam the world. The heart wants what it wants; we shouldn’t force someone to be with someone they don’t want to be with.

Later, Sam talks to Gabe about the photo in which he apologizes for but also replies with, “I’m only a millennial on paper”, which is hilarious. Anyone in their late 20’s to mid-30’s can relate to this. Sam invites Gabe to a viewing party at Armstrong Parker. This is their first time being seen in public and specifically being seen at the black student occupied dorm. She questions his laid back attire, suggesting he wear some “jays”, in which he replies, “Are you trying to My Fair Lady me for your black friends?” I haven’t seen this movie but I understood the joke. In general the series has a ton of film and TV references that if you’re not up on you’ll miss the joke entirely. Gabe’s question is fair. Does Sam want him to be something’s he’s not? So, they go to the dorm where they’re met with some side-eyes and a little shade from Joelle. They watch a parody of the hit show Scandal which is entitled, Defamation. It is hilarious and even though I’ve never been to a public screening of a show, I feel this was a realistic depiction of how black students come together to watch what some consider quality TV and some consider garbage.

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After the show ends, the black face incident is brought up. Gabe puts his foot in his mouth with the classic white liberal response of, “I can’t believe this is happening in 2017” and “I’m just as pissed as you”. Reggie’s not having it; he responds with, “It’s like you and I attend two completely different schools”. Which is very true. Gabe can try to relate but he will never know what it feels like to be black in America even if he attended an HBCU it still wouldn’t be the same. Gabe questions whether Reggie will hit him which is entirely absurd. He and Sam leave the screening where Gabe argues that he was uncomfortable, Sam replies with “Welcome to my world”. Gabe acknowledges this but states that he would never make Sam feel uncomfortable with his friends. Meh, I can see how he could be disappointed but at the same time, he needed to hear what Reggie was saying. There is a problem at the school let alone the entire world when it comes to racism so instead of responding with tired phrases, he should have asked how he could help or support groups fighting against these issues.

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After the convo, Lionel pulls Sam aside to tell her that the newspaper has evidence that someone else other than the group behind Pastiche sent out the invite; basically giving her a chance to confess instead of allowing the paper to break the news. The next day Sam arrives at her radio station to find her slot replaced with a show entitled, “Dear Abigail”. She rushes in to bump Abigail off the air and give the white students a piece of her mind. She eloquently states why her radio show is not racist compared to the actual racism that is plaguing black American schools, neighborhoods, and well being. She also reveals that she was the one who sent the invite for the blackface party and that she “considered it a sociological experiment” that the students passed with flying colors. She ends it with an apology to her bae, Gabe.

Overall

The first episode was a great recap of where the film ended plus the aftermath of the party. Logan Browning, as Sam is ok to me. She doesn’t play as commanding as Tessa Thompson did in the film; she’s somewhat laid back. This could be because the film was shorter, the personalities had to play bigger so since Sam’s story is stretched out in the series, she’ll have to tone it down a bit. Lionel and Coco’s characters were also re-casted but I’ll talk about them in their individual chapters. The cinematography and dark neutral colors were great. The introduction of each chapter for the students was creative as well. I love the set design of Sam’s room and the clothing worked perfectly for each character especially the different BSU groups. The writing for the different BSU groups and the screening of Defamation represents the type of specifics that can only come from black writers. It’s so realistic and detailed; it adds an extra layer of believability to the show. All of the haters who have or had something to say about the title should watch the show and pay attention to the last scene. This scene perfectly sums up why Sam has her radio show and why we need a series entitled, Dear White People!

10 Quotes from 10 Unapologetic Women in Honor of Women’s History Month 

Check out some of my favorite quotes from 10 unapologetic women of different ethnicities, professions, and generations!  Happy Women’s History Month.

 

Nina Simone

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To me, we are the most beautiful creatures in the world—black people. So, my job is to make them more curious about where they came from and their own identity and pride in that identity.

Angela Davis

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The roots of sexism and homophobia are found in the same economic and political institutions that serve as the foundation of racism in this country and, more often than not, the same extremist circles that inflict violence on people of color are responsible for the eruptions of violence inspired by sexist and homophobic biases. Our political activism must clearly manifest our understanding of these connections.

Jane Elliot

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We are still conditioning people in this country and, indeed, all over the globe to the myth of white superiority. We are constantly being told that we don’t have racism in this country anymore, but most of the people who are saying that are white. White people think it isn’t happening because it isn’t happening to them.

Linda Sarsour

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Women are intersectional human beings who live multi-issued lives, when we are protected, when we are respected, when we are able to thrive and given the same opportunities as our male counterparts, when we are given space to lead and rise — our nation will rise.

Cree Summer

Cree

I don’t know a single black girl who’s carefree because it ain’t easy being a girl of color, period. God, I wish we were carefree. A lot of political things would have to dramatically change in this planet for a woman of color to be carefree. But I think what they mean by that is more of an aware black girl, a conscious black girl.

Issa Rae

Premiere Of HBO's "Insecure" - Arrivals

It’s a bit cliché, but you can’t go wrong by writing what you know. Even if you’re a horrible writer, your own knowledge and experience is unrivaled. Nobody knows what you know like you know what you know. The way you see things is pretty unique.

Reina Gossett

ReinaGossett

Historical amnesia is starvation of the imagination; nostalgia is the imagination’s sugar rush, leaving depression and emptiness in its wake.  Breaking silences, telling our tales, is not enough. . . Historical responsibility has, after all, to do with action – where we place the weight of our existences on the line, cast our lot with others, move from an individual consciousness to a collective one.

Sojourner Truth

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Then that little man in black there, he says women can’t have as much rights as men, ’cause Christ wasn’t a woman! Where did your Christ come from? Where did Christ come from? From God and a woman! Man had nothing to do with Him.

Winona LaDuke

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I wanted to get out of Ashland, and I thought it would be pretty cool to go to school in the East. So I asked my guidance counselor what Ivy League schools were. And I applied to Harvard, Yale and Dartmouth – that was it. My guidance counselor told me I wouldn’t get into an Ivy League school. So as my act of resistance, that’s all I applied to.

Betty White

Betty White - Interview

Why do people say “grow some balls”? Balls are weak and sensitive! If you really wanna get tough, grow a vagina! Those things take a pounding!

 

Don’t Let the Drama Dim Moonlight’s Shine!

I was very reluctant to watch Sunday’s 89th annual Academy Awards ceremony. I didn’t watch the last two years because of the #oscarssowhite situation and I told myself not to get sucked in if they happened to nominate some black creatives this year. I didn’t follow through because 1. I knew Moonlight and Viola Davis were going to win some deserving awards and 2. I actually enjoy award shows in general, especially film, so I tuned in. As we all know by now, the Oscars mistakenly presented La La Land with the Best Picture nod instead of Moonlight. It completely embarrassed the La La Land cast and crew and stole the shine from Moonlight.

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Initially when they called La La Land, I switched the channel because I was disappointed. I felt the same way I felt when Kendrick Lamar lost to Taylor Swift and Beyonce lost to Adele at the Grammys; I thought the industry yet again overlooked a great and important representation of black art. Then, I started to scroll through Instagram where I saw a photo of Mahershala Ali’s character Juan holding the Oscar followed by a picture proclaiming Moonlight won Best Picture. I turned back to the channel and the news anchor stated there was a mistake and Moonlight actually won Best Picture. My jaw hit the floor. I was excited but mostly infuriated that they had made such a huge mistake for a historic moment. As I imagined, entertainment news the past couple of days have been about nothing but the blunder.

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I really would like Moonlight to be remember for its great writing, acting, and cinematography. This project represented so much. It gave depth to black characters that are usually 2 dimensional, it represented the struggle of people who are largely ignored by white and black creatives alike, and it represented how our stories can be presented in a masterful and thought provoking way. This night will never be forgotten hopefully it brings more intrigue to the wonderful film that is Moonlight.

Highlights of the night

Mahershala Ali won for Best Supporting Actor. He thanked his teachers from the past, cast and crew, and his wife, Amatus Sami-Karim, who just gave birth to their baby daughter. Along with Best Actor in a Supporting Role and Best Picture, Moonlight also won Best Adapted Screenplay. Director, Barry Jenkins had a powerful message, stating, “All you people who feel like there’s no mirror for you, the academy has your back, the ACLU has your back, we have your back, and for the next four years, we will not forget you”. Writer, Tarell Alvin Mccraney followed with, “This goes out to all those black and brown boys and girls and non-gender conforming who don’t see themselves, we’re trying to show you you, and us.” Viola Davis, who won for Best Actress in a Supporting Role, gave a moving speech about bringing the narratives about everyday people to life. She showed much gratitude to her fellow cast mates, Denzel Washington, and her family.

Many actors had choice words for the climate following the presidents racist and xenophobic policies. Asghar Farhadi, Iranian director of, “The Salesman” and winner of Best Foreign Picture, opted to not attend the awards as a protest against the presidents travel ban while actor Gael Garcia Bernal spoke against the construction of a “wall” on the borders of America, stating that as a Mexican, “I am against any kind of wall that wants to separate us”. Winners of the Best Animated Picture, Zootopia, spoke about how the film encouraged tolerance over, “fear of the other”.

Congratulations to the cast and crew from Moonlight and all the winners (except for Casey Affleck!)

Below is the full list of winners.

BEST PICTURE
“Arrival”
“Fences”
“Hacksaw Ridge”
“Hell or High Water”
“Hidden Figures”
“La La Land”
“Lion”
“Manchester by the Sea”
“Moonlight” (WINNER)
ACTOR IN A LEADING ROLE
Casey Affleck in “Manchester by the Sea” (WINNER) Boo!
Andrew Garfield in “Hacksaw Ridge”
Ryan Gosling in “La La Land”
Viggo Mortensen in “Captain Fantastic”
Denzel Washington in “Fences”
ACTOR IN A SUPPORTING ROLE
Jeff Bridges in “Hell or High Water”
Mahershala Ali in “Moonlight” (WINNER)
Lucas Hedges in “Manchester by the Sea”
Dev Patel in “Lion”
Michael Shannon in “Nocturnal Animals”
ACTRESS IN A LEADING ROLE
Isabelle Huppert in “Elle”
Ruth Negga in “Loving”
Natalie Portman in “Jackie”
Emma Stone in “La La Land” (WINNER)
Meryl Streep in “Florence Foster Jenkins”
ACTRESS IN A SUPPORTING ROLE
Nicole Kidman in “Lion”
Viola Davis in “Fences” (WINNER)
Naomie Harris in “Moonlight”
Octavia Spencer in “Hidden Figures”
Michelle Williams in “Manchester by the Sea”
ANIMATED FEATURE FILM
“Kubo and the Two Strings”
“Moana”
“My Life as a Zucchini”
“The Red Turtle”
“Zootopia” (WINNER)
CINEMATOGRAPHY
“Arrival”
“La La Land” (WINNER)
“Lion”
“Moonlight”
“Silence”
COSTUME DESIGN
“Allied”
“Fantastic Beasts and Where to Find Them” (WINNER)
“Florence Foster Jenkins”
“Jackie”
“La La Land”
“Fantastic
DIRECTING
“Arrival” – Denis Villeneuve
“Hacksaw Ridge” – Mel Gibson
“La La Land” – Damien Chazelle (WINNER)
“Manchester by the Sea” – Kenneth Lonergan
“Moonlight” – Barry Jenkins
DOCUMENTARY (FEATURE)
“Fire at Sea”
“I Am Not Your Negro”
“Life, Animated”
“O.J.: Made in America” (WINNER)
“13th”
DOCUMENTARY (SHORT SUBJECT)
“Extremis”
“4.1 Miles”
“Joe’s Violin”
“Watani: My Homeland”
“The White Helmets” (WINNER)
FILM EDITING
“Arrival”
“Hacksaw Ridge” (WINNER)
“Hell or High Water”
“La La Land”
“Moonlight”
FOREIGN LANGUAGE FILM
“Land of Mine”
“A Man Called Ove”
“The Salesman” (WINNER)
“Tanna”
“Toni Erdmann”
MAKEUP AND HAIRSTYLING
“A Man Called Ove”
“Star Trek Beyond”
“Suicide Squad” (WINNER)
MUSIC (ORIGINAL SCORE)
“Jackie”
“La La Land” (WINNER)
“Lion”
“Moonlight”
“Passengers”
MUSIC (ORIGINAL SONG)
“Audition (The Fools Who Dream)” from “La La Land”
“Can’t Stop The Feeling” from “Trolls”
“City Of Stars” from “La La Land” (WINNER)
“The Empty Chair” from “Jim: The James Foley Story”
“How Far I’ll Go” from “Moana”
PRODUCTION DESIGN
“Arrival”
“Fantastic Beasts and Where to Find Them”
“Hail, Caesar!”
“La La Land” (WINNER)
“Passengers”
ANIMATED SHORT FILM
“Blind Vaysha”
“Borrowed Time”
“Pear Cider and Cigarettes”
“Pearl”
“Piper” (WINNER)
LIVE ACTION SHORT FILM
“Ennemis Intérieurs”
“La Femme et le TGV”
“Silent Nights”
“Sing” (WINNER)
“Timecode”
SOUND EDITING
“Arrival” (WINNER)
“Deepwater Horizon”
“Hacksaw Ridge”
“La La Land”
“Sully”
SOUND MIXING
“Arrival”
“Hacksaw Ridge” (WINNER)
“La La Land”
“Rogue One: A Star Wars Story”
“13 Hours: The Secret Soldiers of Benghazi”
VISUAL EFFECTS
“Deepwater Horizon”
“Doctor Strange”
“The Jungle Book” (WINNER)
“Kubo and the Two Strings”
“Rogue One: A Star Wars Story”
WRITING (ADAPTED SCREENPLAY)
“Arrival”
“Fences
“Hidden Figures”
“Lion”
“Moonlight” (WINNER)
WRITING (ORIGINAL SCREENPLAY)
“Hell or High Water”
“La La Land”
“The Lobster”
“Manchester by the Sea” (WINNER)
“20th Century Women”

7 Black Cultural Events in Baltimore to Attend this Black History Month

Check out these great events in Baltimore to attend in honor of Black History Month!

Asante Celebration

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Who: The Leaders of a Beautiful Struggle

What: A Celebration for supporters of the grassroots organization LBS and newcomers alike.

Where: The Living Well – 235 Holliday St, Baltimore, MD 21202

When: February 20th at 6pm

Notes from the organization:

The LBS Leaders of a Beautiful Struggle (LBS) is a grassroots think-tank which advances the public policy interest of Black people, in Baltimore, through: youth leadership development, political advocacy, and autonomous intellectual innovation.

The Asante Celebration will be hosted by The Living Well on February 20th at 6pm. There will be free food, and open bar, performances and music by DJ Sundiata. All the proceeds from the event will directly support our grassroots work in Baltimore.

Tickets are $20 in advance, $25 at the door and the dress code is casual attire.

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Buy Black Ujamaa Marketplace

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Who: NSAA African Creations By Majorie Nicole

What: A Marketplace for Black Owned Businesses 

Where: St. Frances Academy Community Center – 501 E. Chase Street Baltimore MD 21202

When: February 19th at 12-4pm (Grand Opening)
3/19 Marketplace
4/16 Soul Sunday (spoken word & soul food)
5/21 Marketplace

Notes from the Organization:

Come out and connect with the communuty in a family friendly environment infused with culture including a drum circle, ujamaa education, musical performance, kids activity, qigong health demonstration, a DJ, food, dessert and more. This community event is free to the public and all are welcome.

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7th Annual Johns Hopkins Black History Month Student Competition

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Who: The Creative Alliance and John Hopkins

What Art Competition by Baltimore Public School Students 

Where: The Creative Alliance at the Patterson: 3134 Eastern Ave, Baltimore MD 21224.

When: February 25 through March 11, 2017

Notes form the Organization:

Students from kindergarten through twelfth grades create mixed-media works to depict the history of African Americans specific to Baltimore City. All entries are awarded cash prizes in support of their school’s arts programs, courtesy of the Johns Hopkins East Baltimore Community Affairs Office. Young people, families, teachers, and community members are invited to view exhibition together at Creative Alliance’s Amalie Rothschild Gallery from February 25 through March 11, 2017.

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I Am Not Your Negro

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Who: The words and interviews of James Baldwin, directed by Raoul Peck 

What: Documentary entitled, I Am Not Your Negro

Where: The Charles Theater – 1711 N Charles St, Baltimore, MD 21201

When: How ever long it’s showing

Frederick Douglas-Isaac Myers

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Who: The history of Frederick Douglas and Isaac Myers

What: An educational and national heritage site that highlights African American maritime history.

Where: 1417 Thames St. Baltimore, MD 21231

When: All Day, Everyday

Notes from the Organization:

Come and share with us as we chronicle the saga of Frederick Douglass’ life in Baltimore as an enslaved child and young man. We also take a look at the life of Isaac Myers, a free born African American who became a national leader. As a visitor, you will also learn about the founding of the Chesapeake Marine Railway and Dry Dock Company and the establishment of the African American Community in Baltimore during the 1800’s.

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VERIZON BLACK HISTORY MONTH OPEN HOUSE 2017

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Who: Reginald F. Lewis Museum

What: Museum of Maryland African-American History and Culture

Where: Reginald F. Lewis Museum, 830 E. Pratt Street, Baltimore, MD

When: February 25, 2017

Notes from the Organization:

Celebrate Black History Month with an open house at the museum. Visit the galleries for free. In addition, enjoy craft workshops, live performances, and more. Sponsored by Verizon.

NAMYANKA BLACK HISTORY MONTH PROGRAM

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Who: Namyanka Performing Arts Training Center

What: A Tribute to Black Broadway Musicals

Where: Coppin State University, Johnson Auditorium – 2500 W. North Ave, Baltimore Md 21216

When: February 26, 2017

Cost: $15.00

The Full List of Winners at The 48th Annual NAACP Image Awards

The 48th annual NAACP Image Awards honored the best in film, television, music, and literature. There were little to no surprises for this years winners including Anthony Anderson for Outstanding Actor in a Comedy Series and his co-star wife, Tracee Ellis Ross for Outstanding Actress in a Comedy Series. Taraji P Henson won for the second time in a row for Outstanding Actress in a Drama series, Denzel Washington won Outstanding Actor for his role in Fences, and Queen Sugar won for Outstanding Drama Series which was a nice surprise. Some amazing actors and actresses were not in attendance including Mahershala Ali who won for Outstanding Supporting Actor in a Motion Picture and Viola Davis who won Outstanding Supporting Actress in a Motion Picture.

The honorable Chairman’s Award was given to professor, author, and founder of the Charles Hamilton Houston Institute for Race and Justice, Charles J. Oletree Jr. and the NAACP President’s Award was given to educator, historian, and founding director of the Smithsonian’s National Museum of African American History, Lonnie Bunch. Outstanding Motion Picture went to Hidden Figures and Entertainer of the year went to Dwayne Johnson, who is rarely in attendance to this award show. Everyone knows this should have went to Beyoncé, who was also snub last night at the Grammy’s but that’s another article. Check out the full list of the winners below.

 

The Chairman’s Award: Charles J. Ogletree Jr.

NAACP President’s Award:  Lonnie Bunch

Entertainer of the Year: Dwayne “The Rock” Johnson

Outstanding Motion PictureHidden Figures

Outstanding Actress in a Motion Picture: Taraji P. Henson, Hidden Figures

Outstanding Drama SeriesQueen Sugar

Outstanding Actor in a Comedy Series: Anthony Anderson, Black-ish

Outstanding Actor in a Drama Series: Sterling K. Brown, This Is Us

Outstanding Comedy SeriesBlack-ish

Outstanding Actress in a Drama Series: Taraji P. Henson, Empire

Outstanding Actress in a Comedy Series: Tracee Ellis Ross, Black-ish

Outstanding Actor in a Motion Picture: Denzel Washington, Fences

Outstanding New Artist: Chance the Rapper

Outstanding Male Artist: Maxwell

Outstanding Female Artist: Beyoncé

Outstanding Duo, Group or Collaboration: “Freedom,” Beyoncé feat. Kendrick Lamar

Outstanding Jazz Album: Latin American Songbook, Edward Simon

Outstanding Gospel Album (Traditional or Contemporary): One Way, Tamela Mann

Outstanding Music Video: “Formation,”  Beyoncé

Outstanding Song (Traditional): “I See A Victory,” Kim Burrell and Pharrell Williams

Outstanding Album: Lemonade, Beyoncé

Outstanding Song (Contemporary): “Freedom,” Beyoncé feat. Kendrick Lamar

Outstanding Supporting Actor in a Comedy Series: Laurence Fishburne, Black-ish

Outstanding Supporting Actress in a Comedy Series: Tichina Arnold, Survivor’s Remorse 

Outstanding Supporting Actor in a Drama Series: Jussie Smollett, Empire 

Outstanding Supporting Actress in a Drama Series: Naturi Naughton, Power 

Outstanding Television Movie, Limited-Series, or Dramatic Special: The People v. O.J. Simpson: American Crime Story

Outstanding Actor in a Television Movie, Limited-Series, or Dramatic Special: Courtney B. Vance, The People v. O.J. Simpson: American Crime Story

Outstanding Actress in a Television Movie, Limited-Series, or Dramatic Special: Regina King, American Crime

Outstanding News/Information (Series or Special): BET Love and Happiness White House Special 

Outstanding Talk Series: Steve Harvey

Outstanding Reality Program/Reality Competition Series: Iyanla: Fix My Life

Outstanding Variety (Series or Special): 2016 Black Girls Rock

Outstanding Children’s Program: An American Girl Story – Melody 1963: Love Has to Win 

Outstanding Performance by a Youth (Series, Special, Television Movie or Limited-Series): Marsai Martin, Black-ish

Outstanding Host in a News, Talk, Reality, or Variety Program (Series or Special) – Individual or Ensemble: Roland S. Martin – NewsOne Now with Roland S. Martin 

 

Outstanding Supporting Actor in a Motion Picture: Mahershala Ali, Moonlight

Outstanding Supporting Actress in a Motion Picture: Viola Davis, Fences

Outstanding Independent Motion PictureMoonlight

Outstanding Documentary (Film)13TH

Outstanding Documentary (Television)Roots: A New Vision

Outstanding Writing in a Comedy Series: Kenya Barris, Black-ish

Outstanding Writing in a Drama Series: Ava DuVernay, Queen Sugar

Outstanding Writing in a Motion Picture (Television): Charles Murray, Roots–Night 3

Outstanding Writing in a Motion Picture (Film): Barry Jenkins, Moonlight

Outstanding Directing in a Comedy Series: Donald Glover, Atlanta–Value

Outstanding Directing in a Drama Series: John Singleton, The People v. O.J. Simpson: American Crime Story–The Race Card

Outstanding Directing in a Motion Picture (Television): Rick Famuyiwa, Confirmation

Outstanding Directing in a Motion Picture (Film): Barry Jenkins, Moonlight

Outstanding Character Voice-Over Performance (Television or Film): Idris Elba, The Jungle Book

 
Outstanding Literary Work (Fiction): The Book of Harlan, Bernice L. McFadden

Outstanding Literary Work (Nonfiction): Hidden Figures, Margot Lee Shetterly

Outstanding Literary Work, (Debut Author): Born A Crime: Stories from a South African Childhood, Trevor Noah

Outstanding Literary Work (Biography/Autobiography): Born A Crime: Stories from a South African Childhood, Trevor Noah

Outstanding Literary Work (Instructional)The Power of Broke: How Empty Pockets, a Tight Budget, and a Hunger for Success Can Become Your Greatest Competitive Advantage, Daymond John, Daniel Paisner

Outstanding Literary Work (Poetry): Collected Poems: 1974-2004, Rita Dove

Outstanding Literary Work (Children): Tiny Stitches: The Life of Medical Pioneer Vivien Thomas, Gwendolyn Hooks, Colin Bootman

Outstanding Literary Work (Youth/Teens): As Brave As You, Jason Reynolds

The Jackie Robinson Sports Award: LeBron James

 

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